They belong to a group of carvings whose style is found in both Scandinavia and East Anglia: at, for example, Lund Cathedral and Ely Abbey, regions that were linked by trading and by political and close ecclesiastical contacts. It is unlikely that they were carved later than the middle of the century, unless they were produced in a very remote centre, but their very high quality and especially the subtlety of their decorative carving would not support this. It is difficult to find a parallel for the figure style, except in other gaming pieces, and even amongst these the Lewis pieces are more stylized and rigid than any others that survive. The form of the chessmen and the decoration on the back of the thrones on which the kings, queens and some of the bishops are seated, have led to pieces being dated from the middle to the end of the 12th century and to their being attributed to either Britain or Scandinavia. The pieces show virtually no signs of wear. Perhaps they formed part of the stock of a merchant ship wrecked on the shores of the island, subsequently hidden and not recovered. From the pieces it is clear that the hoard was not made up of a number of complete sets, and as none of the carving is incomplete, a workshop hoard is most unlikely. Eleven pieces from the same find are in the National Museum of Antiquities of Scotland in Edinburgh. 'A hoard of 78 pieces was found in 1831 in the parish of Uig on the Isle of Lewis in the Outer Hebrides in what was described as a 'subterranean' chamber. Curator's comments Text from Zarnecki et al 1984, cat.
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